Gilbert Ryles The Concept of Mind Essay -- Concept Mind Gilbert Ryle

Gilbert Ryle's The Concept of Mind In The Concept of Mind Gilbert Ryle attempts, in his own words, to 'explode the myth' of Cartesian dualism. His primary method in this endeavour is to explain why it is a logical error to describe minds and bodies with semantically similar language; while secondarily, he proposes that even to speak of 'minds' as a second-order ontology is to take the first step in the wrong direction towards intellectual clarity. Thus, with the desire to arrive at this hypothetical locale, the following peripatetic discussion will set out with Ryle at his point of departure, viz. Descartes' Myth; it will then survey the "lay-of-the-land" at Ryle's mapped out midway point, viz. Self-Knowledge; and from there, judge whether Ryle himself is headed in the right direction, or, whether despite the ribbons and fan-fare, Ryle's excursion takes place on a circular track. Ryle begins by seeking to expose the theory of Cartesian Dualism as an absurd logical error. To do this, he accuses it of having an inherently faulty structure; that it exemplifies "one big category-mistake."1 To understand this claim we must first look at what Ryle deems a 'category-mistake.' A category-mistake is committed when one accounts for a concept by placing it in a certain logical type, or category, when in fact it belongs to a different division altogether. So to describe or qualify two items or ideas of dissimilar constitution within the same linguistic framework is to commit this mistake. Ryle provides numerous examples for the elucidation of this error, only one of which follows: "she came home in a flood of tears and a sedan chair."2 The absurdity of this statement shows the category-mistake for what it is: a failure to use langu... ...ons it is my considered opinion that despite Ryle's attempt at intellectual clarity, this clarity is an illusion. NOTES 1 Gilbert Ryle, The Concept of Mind, p. 17.Back to note location in text 2 Ibid., p. 23.Back to note location in text 3 Ibid., p. 15.Back to note location in text 4 Ibid. Back to note location in text 5 Ibid., p.21.Back to note location in text 6 Ibid., p. 23.Back to note location in text 7 I refer to John R. Searle, The Rediscovery of The Mind, in which the author states: "Mental phenomena are caused by neurophysiological processes in the brain and are themselves features of the brain." p. 1.Back to note location in text 8 Gilbert Ryle, The Concept of Mind, p. 149.Back to note location in text 9 Ibid., p. 149.Back to note location in text 10 Ibid., p. 162.Back to note location in text

Alphonse Mucha

Alphonse Mucha: Job Cigarettes During the 19th century, many changes were taking place in modern European society, which was noticeable through art at that time. A different kind of style that was moving away from the traditional, standard art that were taught at art academies and was heavily influenced by the Arts and Crafts Movement was developed. This â€Å"modern† style of art was known as Art Nouveau. Alphonse Mucha was an important figure and had a strong influence in this new style.Alphonse Mucha had a style that garnered a lot of public attention in America and Europe and it also influenced many artists to mimic what many called the â€Å"Mucha style. † Mucha’s Job Cigarettes poster illustrates the â€Å"standard’ of the Art Nouveau style and notes some of the changes taking place in modern society. Alphonse Mucha’s Job Cigarettes was not the first poster that brought him fame and put him in the eye of the public; however, it is a poster th at could be said was his best piece. It one of several commercial art ads he did for the rolling paper company known as Job.It features a female holding a cigarette in one hand. The female has a faint smile with her eyes closed and her head raised a bit high to indicate she is really enjoying her cigarette and perhaps getting some sort of physical or emotional satisfaction from her smoke. She seems to go beyond the border giving this piece a sense of depth perspective. It seems to say that she cannot be contained and that she is free to do as she pleases and enjoy her smoke. She has very long and curly stylized hair that was traditionally used by Alphonse Mucha known as macaroni or vermicelli.The hair serves as an essential adorning, decorative component of the poster, which also serves to display the sensuousness of the woman and gives it a more aesthetically pleasant look. The smoke from the cigarette flows upwards in a left and right manner which guides the eye from the cigarette to the head of the female and then finally towards the â€Å"Job† logo. The poster seems to have a decorative border that was most likely influenced by the Arts and Crafts movement. The colors are soft and pastel-like which gives a feeling of serenity and peace.Mucha’ technique in his Job Cigarettes poster and his treatment of the three main elements, flowing lines, heavy curves, and organic subject matter, which traditionally found in Art Nouveau depicts the standard in this style of art. There are no hard-edged lines found in the main figure of the poster. The only hard-edged line work is found in the ornamented border. Mucha also used heavy and light strokes, which was most likely influenced by Japanese woodcuts/art, throughout the female figure and the smoke. He seems to create a heavier stroke on he outside lines, which creates a sort of silhouette giving it a dynamic feel.The heavy curves are easily identifiable in the woman’s hair adorning the female fig ure. They are very long and exaggerated in form, which was traditional of Mucha and the Art Nouveau style. The hair on the female has an organic feel that seems to look like vines or something of that sort. The decorative border seems to frame the whole piece and makes it seem like the woman is leaning outside of a window and into nature to freely enjoy her smoke. As a teenager, Mucha had applied to the Prague Academy of Fine Arts art but was rejected because he did not have the skill to be a â€Å"true† artist.His rejection was even followed up with a note saying that he should find a better profession where he would be more useful. Perhaps Mucha was not the only artist who was rejected in such a manner, which is why many artists probably felt the need to rebel against the traditional style of the Academy, and decided to make art in their own style. They wanted to try something new and move with the rapid changes taking place at that time. One example of change in modern soc iety was the heavy use of posters in commercial art.Mucha decided to use a lithographic poster for his Jobs Cigarettes ad and it made such a great impression on the Job Company that they actually hire him to create additional advertisement posters for them. Another change with Art Nouveau was the constant presence of female figures in the artwork. Female illustrations played an important factor in advertisements. Artwork was sexually charged to sell market commodities. Although Mucha’s Job Cigarettes poster is not overly sexual, he does use a female figure that seems to be getting some sort of pleasure from the product to sell to consumers.Mucha’s illustration perhaps seems to show the rise of women’s social position. Mucha shows a female doing what was traditionally a male activity, smoking. As a result of mass production from the Industrial Revolution, there were a lot of mechanical looking objects in society. These massproduced items just made the world look more ugly, generic, and bland. Mucha gathered much influence from the organic shapes and curves from nature and heavily adorns his illustration to bring more beauty, life, and freedom to society.Alphonse Mucha’s Job Cigarettes poster had a freeing, unique style that was much different than the traditional standards taught at art academies. Mucha’s technique was so evident and admired that the Art Nouveau style was often referred to as the â€Å"Mucha style† and highly imitated by other artists. Through his technique, style and subject matter, he comments on the changes occurring in modern society and in art, and it has influenced not only artists from his time but also many other artists today.

The Price Mc Simulation On Gt Values - 1536 Words

0.0037 in field C. Nevertheless, similar with two other larger fields, the mean and median values are still similar with base-case value. There are several things that can be concluded from oil price MC simulation on GT values. First, there is 100% probability that the forecast GT at all fields are above 68%. Second, the CoV level from field A to field C is increasing, in-line with the rising level of GT. As discuss in the previous section, due to the regressive nature of Indonesia’s PSC term, the GT level in field C, which have the lowest profitability, is the highest among other model field. Therefore, the rising CoV is once again has been the evidence of higher risk and uncertainty, which reflects on the higher GT due to the regressive†¦show more content†¦Furthermore, triangular distribution on devex is employed to model the simulation. Figure 4.24 Field A Post-tax NPV - Monte Carlo Simulation on Devex per barrel Based on figure 4.24, there is 48.58% probability that the post-tax NPV forecast values in field A are greater than the mean forecast scenario of 1,118 million. In addition, there is 100% certainties that the forecast values is positive. The values prediction are ranges between $770 million and $1,473 million. Furthermore, the mean and median forecast values, which are $1,118 million and $1,114 million, are significantly higher than the base-case due to the influence of more profitable forecast results. The CoV is at 0.1363, while the level of skewness is at 0.054. Figure 4.25 Field B Post-tax NPV - Monte Carlo Simulation on Devex per barrel Field B has similar mean and median values of around $446 million. Similar with field A, it is significantly higher than the base post-tax NPV level. Moreover, there is 50.41% certainty that the NPV forecast values are greater than the base-case value of $153 million. In addition, it ranges from around $236 million to $650 million. The CoV is at 0.198, slightly higher than the value in field A. Figure 4.26 Field C Post-tax NPV - Monte Carlo Simulation on Devex per barrel Figure 4.26 shows that there is about 51% probability that field C post-tax NPV values are bigger than the forecast mean of $152 million. Then, it ranges